
Javier Iha Rodríguez (Cuba, 1991) is a composer, pianist, and pedagogue. He graduated in Composition from the University of the Arts (ISA) with a Gold Degree under Juan Piñera and holds a Master’s in Management of the Historical-Documentary Heritage of Music from San Gerónimo College, Havana.His work, with a strong emphasis on the piano—including concertante pieces—also encompasses chamber music, as demonstrated by his recordings Retrato, Escenas Peregrinas (Cubadisco 2021 Award for Chamber Music), and Sounds of Christmas.Iha’s musical language blends contemporary eclecticism with expressive depth, drawing inspiration from literature, visual arts, and everyday life. His compositions range from preludes, fugues, sonatas, and nocturnes to mariachis and habaneras, each carefully shaped by the form to create distinctive sonic worlds. His contributions have been showcased at major Cuban festivals and honored with awards such as the Conmutaciones Creation Grant (AHS), the Harold Gramatges Composition Prize (UNEAC), and the Musicalia Composition Prize (ISA).
We are, therefore, in the presence of a creator who, in the arduous journey of every true artist, portrays his emotional surroundings through his voice.Juan Piñera

SOUNDS OF CHRISTMAS
Connects us with the cultural and spiritual diversity of different peoples around the world through music. The remarkable presence of music in human social life and the interpretation of Christmas as a direct bridge to memories, traditions, and the warm festive spirit inspired this album, which emerged like a Christmas star. Sounds of Christmas invites listeners to explore diverse sonic identities and savor their rich nuances, using Christmas as a beautiful pretext to connect with a world that sings and resonates.Record label: Ihacomposer, 2024

RETRATOS Y ESCENAS PEREGRINASPresents cycles of pieces with an inseparable dramaturgical interconnection. This recording invites attentive listening and contemplation; its greatest treasure lies in its ability to elevate the spirit through a sensitive and precise cohesion between literature and music.Chamber music | Record label: Colibrí Productions, 2019 | CUBADISCO Award, 2021

NUEVA MÚSICAPeregrine Tales (violin, clarinet, and piano)
I. Light Is Like Water
II. The Saint
III. The Sleeping Beauty’s AirplaneIncluded in the CD Nueva Música – Premios UNEAC de Composición | Record label: Egrem, 2019

TODO CONCUERDA MEJORSon del Llanoby Havana Chamber Orchestra, conducted by Daiana García | Record label: Colibrí Productions, 2018

NETZAJSonata for trumpet and pianoby Dúo NETZAJ | Record label: Colibrí Productions
© ihacomposer. All right reserved.
Ocean Scenes for piano four hands
Trio for flute, saxophone and piano, ca. 5’
Arrangements for Mandolin Orchestra | Includes: Hanacpachap Cussicuinin, Ay, Mamá Inés, Prea Comeu, Drume Negrita, La Bella Cubana, Bésame Mucho.
Sounds of Christmas for piano, ca. 23’
Concertino No.2 for Piano, Flute, Trumpet and String Orchestra, ca. 21’
Dúos for drums and piano
Danças do porto for clarinet and piano
Mariachis for piano, ca. 30’
Two Nocturnes for piano
Tango for piano
Preludes & Fugues III (XIII - XVIII) for piano
Vals de Violeta for piano
Retratos de Naipes III for flute and piano
Adagio for string orchestra
Preludes & Fugues II (VII - XII) for piano
Rondó for piano
Suite for clarinet quarter
El niño y el trigal for piano
Postales de viaje for piano
Jitanjáforas for mixed choir and piano. Text by Mariano Brill, Virgilio Piñera, Rafael Alberti, Emilio Ballagas.
Musical arrangements for the Cuban Christmas Concert for soloists, mixed choir, flute, horn, string orchestra, organ, and Cuban percussion.Includes: Noche de Paz (Silent Night), El Tamborilero (The Little Drummer Boy), Cuba le canta al rey, and Venid, fieles todos (O Come, All Ye Faithful)
Testamento del pez, for soprano, tenor, clarinet, piano, and percussion.
Si no existieras for soprano, clarinet, and piano
Habaneras for soprano, clarinet, and piano (text by Nicolás Guillén and Samuel Feijóo)
Colores en el mar for countertenor and piano (text by Carlos Pellicer)
Arial 12 for percusion trio
Motivos for flute, clarinet, violin, two guitars, two cellos, and piano
Tres toccatas for piano
Gymnopédies for piano
Retrato de naipes II for English horn and piano
Cuentos peregrinos II for trombone and piano
Cuentos peregrinos I for violin, clarinet and piano
En homenaje a un plátano maduro for violin, cello and piano
Tres ideas for string quarter
El avión de la Bella Durmiente from Cuentos peregrinos I — version for oboe, bassoon and piano
Diálogos for piano
Tres preludios americanos for piano
Tres vacas cubanas for piano
Tres caricaturas for oboe and basson
La rebelión de los pequeños for flute, cello and piano
Sueño grande for soprano and piano (text by Samuel Feijóo)
Son del llano for string orchestra
Poema con interrogante for piano
Sonata de junio for piano
Berceuse campesina version arranged for clarinet & piano
Escenas a un anochecer for violin & piano, ca. 10’
Variaciones libres for celo & piano, ca. 5’15’’
Escenas para un amanecer for flute, violin and piano, ca. 6’40’’
Escenas de un atardecer for three clarinets.
Concertino No. 1 version for Piano, Marimba, and String Orchestra, ca. 20’
Te convido a que abraces a un árbol, para que te piquen las santanillas y así puedas ver las estrellas for piano, ca. 6’40’’
Preludes & Fugues I (VII - XII) for piano
Trío for flute, cello and piano
Concertino No. 1 for Piano and String Orchestra, ca. 20’
Trío for flaute, bassoon and piano
Historias absurdas for piano
Cinco cuentos for piano
Arcadas en el agua for piano
Preludio e invención for viola & piano
Son for tenor and piano (text Samuel Feijóo)
El pan del bobo for soprano and piano (text by Samuel Feijóo)
Lo que sucede ... for piano
Hechizos for piano, ca. 5’30’’
Berceuse campesina version arranged for viola & piano
Dos piezas for oboe & double bass
Sonata for bassoon & piano
Mi posadero for tenor and piano (text by José Martí)
Cuarteto de cuerdas No. 1, ca. 11’30’’
Two Movements for wind quintet and piano
Twenty-four preludes for piano
Kikirico for piano
Berceuse campesina y Final for piano
Sonatina for flute & piano
Two Sonatinas for violin & piano
Sonata for trumpet & piano, ca. 10’
As a musician and composer, I believe in the power of diversity; this idea, along with consistent work, has accompanied me since the beginning of my compositional journey, when I wrote the Twenty-Four Preludes for Piano, a work inspired by Maestro Juan Piñera. Following this path, I have developed other projects in constant evolution (working progress), including Cuentos Peregrinos, Twenty-Four Preludes and Fugues, Escenas, and Retrato de Naipes.The piano is my primary medium of creation, and I have dedicated much of my work to this instrument. The variety and combination of timbres have led me to a special interest in chamber formats. I compose with freedom and openness to extramusical stimuli, such as visual arts and literature. Guided by pictorial impulses, I created Retrato de Naipes, a sonic and narrative interpretation of the symbolism of the French playing cards. Observing everyday moments—dawn, sunset, nightfall—inspired Escenas, conceived for various instrumental ensembles. I am also interested in exploring the grotesque and caricatural in sound, which has led to works such as Homenaje a un Plátano Maduro and Historias Absurdas.Literature nourishes my vocal music, where words become sound. But I do not conceive it solely as singing or programmatic narrative: its evocative power has also inspired instrumental works, such as Cuentos para Piano and Cuentos Peregrinos. I am also drawn to classical forms, such as preludes, nocturnes, fugues, and habaneras, which always pose new challenges. I value technical learning but also give space to intuition. I seek to balance the rational and the fortuitous, creating an expressive environment even amid chaos. In the future, I hope to continue developing existing projects, embrace new creative challenges, and express in my sonic portraits all that I am fortunate enough to encounter on my peregrine journey.Javier Iha
(+971) 585100338
Javier Iha Rodríguez (Cuba)Composer, pianist, and pedagogue. He graduated in Composition from the University of the Arts (ISA) in 2017, earning the distinctions "Gold Degree" and top graduate by overall index. He holds a Master's in Management of the Historical-Documentary Heritage of Music from San Gerónimo College, Havana (2019). As a composer, he has participated in major music festivals in Cuba, including the Festival of Contemporary Music of Havana, the Festival of the Arts, the A tempo con Caturla Festival, and the Chamber Music Festival. Javier Iha has been awarded the Conmutaciones Creation Grant, organized by the Asociación Hermanos Saíz (AHS), and the Harold Gramatges Composition Prize by the National Union of Writers and Artists of Cuba (UNEAC) in 2013, 2014, and 2015.In his teaching career, he has taught Harmony, Analysis, and Orchestration. Since 2014, he has served as a Harmony professor at the Escuela Nacional de Arte (ENA) and, since 2020, as a professor of Orchestration and Analysis at the University of the Arts. He currently serves as a Yamaha Schools Supervisor in the Middle East.His professional experience as a composer includes works for piano, voice, choir, chamber ensembles, and electroacoustic media. He has dedicated several works to Cuban performers and ensembles, such as the Dúo Promúsica, Trío Emanuel, Trío Lecuona, and the Orquesta de Cámara de Las Tunas, among others. He has also collaborated with audiovisual creators and the theater company Gaia Teatro.Part of his work has been recorded under the Colibrí label, including the CD Nueva Música (a compilation of UNEAC Composition Awards) and Retrato y Escenas Peregrinas, awarded the Cubadisco 2021 Prize in the Chamber Music category.
Centro Nacional de Música de Concierto CUBA's post
De lo irreal maravilloso: Retrato and Escenas Peregrinas by Javier Iha Rodríguez
Published in La Jiribilla — Cuban cultural magazine
Entreclaves... Notes on Nueva Música: Cuentos Peregrinos by Javier Iha
Published in Del canto y el tiempo, a space for reflection and the exchange of ideas on Cuban music — by Brenda Lorenzo. CIDMUC
Variaciones libres for cello & piano
Taking as a starting point a theme from one of Béla Bartók’s Mikrokosmos, this piece unfolds a journey of connected variations that ascend in a dramatic progression. Meanwhile, the rhythmic pulse remains as a kind of perpetuum, enriched with Bartókian nuances intertwined with other sonic environments: Impressionist colors and elements drawn from Cuban popular music.
DETAILS
Category: Chamber and Ensemble
Instrumentation: Cello and Piano
Duration: 5'15"
Dedicated to: Alejandro Martínez
Recorded on: Retrato y Escenas Peregrinas – Chamber Music; Colibrí Productions, 2019
Awards: CUBADISCO Award, 2021
Escenas para un amanecer
When the Classic Trio Emanuel invited me to write a piece for their ensemble, my creative interest turned toward the natural environment and the most ordinary aspects of our daily lives: the different phases of the day and humanity’s interaction with each of those moments. This is how I began the cycle of pieces titled Escenas... (Scenes...), the first of which was Escenas para un amanecer (Scenes for a Sunrise).
The work is structured in three movements and portrays the various nuances and emotions of the morning.
DETAILS
Category: Chamber and Ensemble
Instrumentation: Flute, Violin and Piano
Duration: 6'40"
Dedicated to: Classic Trio Emanuel
Recorded on: Retrato y Escenas Peregrinas – Chamber Music; Colibrí Productions, 2019
Awards: CUBADISCO Award, 2021


Variaciones libres for cello & piano
DETAILS
Category: Chamber and Ensemble
Instrumentation: Cello and Piano
Duration: 5'15"
Dedicated to: Alejandro Martínez
Recorded on: Retrato y Escenas Peregrinas – Chamber Music; Colibrí Productions, 2019
Awards: CUBADISCO Award, 2021
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Escenas para un amanecer
DETAILS
Category: Chamber and Ensemble
Instrumentation: Flute, Violin and Piano
Duration: 6'40"
Dedicated to: Classic Trio Emanuel
Recorded on: Retrato y Escenas Peregrinas – Chamber Music; Colibrí Productions, 2019
Awards: CUBADISCO Award, 2021